Archive for the ‘ Adobe InDesign ’ Category

Adobe InDesign CS5: Creating & Editing Paragraph Styles

by Barb Binder

I love almost everything about Adobe InDesign, but if you forced me to focus on the one feature I couldn’t live without, it would have to be paragraph styles. One can design beautiful documents in InDesign without them, but why would you? There are three reasons why you should consider using styles on a regular basis:

  1. you can apply multiple formatting attributes to an entire paragraph with just one click;
  2. the use of styles will ensure consistent treatments of headings, lists, etc. throughout a document; and
  3. you can make a last minute edit to the style and know that all paragraphs using that style will be updated as you click on OK.

There are a variety of ways to create paragraph styles in Design, but the easiest is just to play with your paragraph formatting until you have perfected it, and then save it as a style. For example:

  1. Select a subhead in your document.
    Adobe InDesign CS5: Start by selecting a paragraph
  2. Using options from the Control Panel, select the typeface, type style, size, etc. Keep experimenting with the formatting until you are satisfied with the look.
    Adobe InDesign CS5: Play with the formatting until you are satisfied
  3. Choose Format > Paragraph Styles to open up the Styles panel.
  4. Hold down the Option key (on Windows: Alt) and click on the New Paragraph Style button at the bottom of the panel.
    Adobe InDesign CS5: Option/Alt click on the New button to name the style at the same time that you create it.
  5. Type in a short, descriptive name (i.e., Subhead) and add a check in front Apply Style to Selection, and in front of Preview, if necessary. Note that the Style Settings section has picked up all of the formatting from the selected paragraph.
    Adobe InDesign CS5: Use short, logical names for your styles
  6. Click OK.

That’s it! Now you can scroll through the document, and when you find another subhead, just click on the subhead paragraph and then click on the style name in Paragraph Styles panel. It’s that easy: by saving the style you can assign multiple formatting attributes to your paragraphs with a single click and you will ensure consistent treatment of the subheads throughout the document.

But what about my final reason to use styles? To me, it is by far the most important. After 25 years of document layout, I’m pretty good at estimating how much time it will take to lay out a new project, but I’ve never nailed down how much time to allow for those last minute edits that come in right at deadline, with no prior warning. Something like, “Hey Barb, did you remember to change the subheads to Myriad 15/17?” I may be thinking, uh no, this is the first time you’ve mentioned it, but knowing that I’ve used a style for my subheads, I can graciously offer to take care of it before sending the file off for print. To edit the subhead style:

  1. Re-open the Paragraph styles panel, if necessary.
  2. Control click (Windows: Right click) on the style name in the panel and choose Edit “Subhead”:
    Adobe InDesign CS5: Control+click/Right+click to edit a style
  3. Make your changes and click OK. InDesign locates and updates every single paragraph using Subhead in the document, and it just look a couple of seconds!

Final thoughts: I used a subhead paragraph for this example. You will need additional styles for body paragraphs, titles, bylines, lists, blockquotes, etc. You can use the exact same sequence for each of these, and any other additional styles you may need. I normally start with the body paragraph style, because then I can use Edit > Select all to assign the body style to the entire story. After that, I start at the top of the document and work my way down, creating new styles as I go. Have fun!

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Adobe InDesign: Turning off Hyphenation

by Barb Binder

What do religion, politics and hyphenation have in common? These are emotional subjects for most of my students, and I try to keep discussion on all three of them out of the classroom. If you are thinking that hyphenation couldn’t possibly fall into that category, then you probably haven’t spent much time teaching word processing or layout applications.

As a teacher, I ask questions to engage my students in the learning process, and the first few times I asked them how they handle hyphenation, I was dumbfounded by their responses. Otherwise well-mannered students were suddenly confrontational with others who did not share their views. Who knew? These days, I simply state how to turn hyphenation on and off for different paragraphs and move right along.

Let’s say you want to turn off hyphenation for your headings in InDesign. Here’s how:

  1. Place your cursor in a heading paragraph. I’m using a paragraph style called Heading1 in this example. (I’m assuming that you are using Paragraph Styles. If not, you can access the same controls seen in step 4 via the Control Panel menu.)
  2. Choose Type > Paragraph Styles to open the Paragraph Styles panel.
  3. Right click (Mac: Control click) the heading style (in my example, Heading1) in the Paragraph Styles panel and choose “Edit Heading1″.
  4. Click to select the Hyphenation category in the list at the left:
    Adobe InDesign: Turing off Hyphenation
  5. Uncheck the Hyphenate check box.
  6. Click OK.

Phew. Glad that’s over. If you have additional questions about the hyphenation controls in InDesign, just ask. If you want to discuss when and where to hyphenate, I’m busy!

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Adobe InDesign CS4 & CS5: Replacing Text with Icons, Really Fast!

by Barb Binder

A little known addition to Adobe InDesign CS4 was the ability to replace an object by pasting the contents of the clipboard. This can be useful in a variety of ways, but it’s is the single easiest way to replace a text string with an icon in a document. Here’s how:

  1. Select an image with the Selection tool. In my example below, I want to replace the word airline with the icon of the airplane, so I selected the airplane icon in the top left corner:
    Adobe InDesign CS4 & CS5: Replace text with an icon
  2. Edit > Copy
  3. Edit > Find/Change
  4. Type in the word you want to find, in my example it’s “airplane”. Next, click the @ icon at the far right of the Change to line. Choose Other > Clipboard Contents to tell InDesign to paste the contents of the clipboard:
    Adobe InDesign CS4 & CS5: Find/Change > Replace > Other > Clipboard Contents
    In this example, you can pick either Formatted or Unformatted. Since we are pasting an icon, it won’t make a difference. If you use this later with text in the clipboard, you’ll be able to specifiy if the text should be pasted with or without it’s formatting. I picked Formatted, so my Find/Change dialog box looks like this:
    Adobe InDesign CS4 & CS5: Find/Change > Replace > Other > Clipboard Contents
  5. Pick Change All to replace each occurrence of the word “airline” with the icon. It’s that easy!
    Adobe InDesign CS4 & CS5: Text replaced with an icon

p.s. In the spirit of full disclosure, I applied a baseline shift of -9 to shift the airplanes down so that they appear centered on the text lines. If you are going to do this, be smart and create a Character Style to handle the shift and then apply it during the find/change so that it’s all automatic:
Adobe InDesign CS4 & CS5: Apply a Character Style during the Find/Change

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Adobe InDesign: Baseline Alignment Across Columns

by Barb Binder

If want to align baselines across columns, it’s a fairly easy task in InDesign CS5 and earlier. Go ahead and place your multi-column story and set up the formatting for your body text, heads, lists, etc. Once you’ve made your various design decisions, it’s just a hop, skip and oh, a couple of jumps to aligning the baselines across columns.

  1. Jot down your top margin and body text leading values. (Not sure where to find them? Layout > Margins and Columns and Type > Character.) In my example, I have a 6 pica top margin and the leading is set to 14 pts:
    Adobe InDesign: Margins and Columns
    Adobe InDesign: Character Panel
  2. Choose Edit > Preferences > Grids (Windows) or InDesign > Preferences > Grids (Mac OS):
    Adobe InDesign: Preferences > Grid

    1. In the Baseline Grid section, enter your top margin value into the Start text box and set Relative to Top of Page. In my example, it means start the grid 6 picas from the top of the page.
    2. In the Increment Every text box, type your leading value. In my example, it’s 14 points. This sets the grid to match my body text leading.
    3. Note the default View Threshold setting. It’s 75%. Hold that thought.
    4. Click OK.
  3. Next, show the baseline grid with View > Grids & Guides > Show Baseline Grid. If you don’t see the grid right away, zoom in a bit. You have to zoom in past that threshold value you noted in step 4 to see the grid. As you zoom out, the grid will eventually disappear so that you aren’t looking at a sea of blue lines, obscuring your text.
  4. Finally, select all of the text and align it to the grid. You can do this with Edit > Select All and then click the Align to Grid button in the Paragraph view of the Control Panel:
    Adobe InDesign: Control Panel > Align to Grid
    Or, since I tend to rely heavily on paragraph styles, I normally align my text to the grid via the Indents & Spacing category in the Paragraph Styles Options dialog box:
    Adobe InDesign: Indents & Spacing > Align to Grid
    Either way, the text moves up or down to snap the text’s baseline to the blue baseline grid. Nice!

As you know, most things in life involve trade-offs, and aligning text to a grid is no exception. Once you align your text to the baseline grid, you will only be able to adjust spacing before and after the paragraphs in integral multiples of your body text leading. Huh? In my example, that means I can have 0 paragraph spacing before/after, or 14pts or 28 pts or 42 pts, etc. If I want say, 6 pts above a head, and 3 pts below, I will have to take the headings off the grid.

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Adobe InDesign CS4/CS5: Got Fractions?

by Barb Binder

Typesetting fractions is no fun, or at least it didn’t used to be. The introduction of OpenType fonts and the Glyphs panel were a great help, allowing point and click access to additional commonly used options:

InDesign CS4/CS5: The Glyphs Panel

But what if you need a fraction that isn’t included in the character set? You can manually superscript the numerator, kern the slash, and then go to work on the denominator. Or not! Wouldn’t it be cool if you could just type 1/2 and have it automatically format it as InDesign CS4/CS5: Sample 1/2 Fraction? You can, and it’s easy! Here’s how:

  1. Assuming that the fractions appear in your body text paragraphs, begin by creating a new Paragraph Style called “Body Text” and assign your favorite typeface, size and style, etc., but don’t click OK just yet:
    InDesign CS4/CS5: New Paragraph Style dialog box
  2. To add the automatic fraction formatting, first click on the GREP Style category in the New Paragraph Style dialog box, and then click the New GREP Style button at the bottom:
    InDesign CS4/CS5: GREP Style
  3. Change the To Text code to \d+/\d+. (In English that means, look for one or more digits (\d+) followed by a forward slash (/) followed by one or more digits (\d+):
    InDesign CS4/CS5: Edit the GREP code to read \d+/\d+
  4. Add a character style to the string by chosing New Character Style from the Apply Style drop-down list:
    InDesign CS4/CS5: Create a New Character Style
  5. Give the new style a logical name like Fractions, and then click on OpenType Features category. Click to place a checkmark in front of Fractions:
    InDesign CS4/CS5: Set the OpenType Feature to Fractions
  6. Click OK twice to close the open dialog boxes. Assign your new paragraph style to a sample paragraph and start typing numbers, followed by a slash, followed by more numbers. It’s magical!
    InDesign CS4/CS5: Automatic Fractions

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Adobe InDesign: Tracking and Kerning

by Barb Binder

When I ask my InDesign students to define the words “tracking” and “kerning”, the best I usually get is a vague reference to letter spacing. And that’s on a good day. More often I get furrowed brows and people suddenly fascinated by their keyboards. The terms aren’t hard to understand, and when I offer both via one keyboard shortcut, the brows relax and people are looking back up at me again. What’s the magic shortcut? Hold the Alt/Option key and start tapping the left and right arrow keys. Whether you invoke tracking or kerning depends on where your cursor is and what is or is not selected.

Tracking

By definition, tracking is the process of opening or closing the space between all the letters within a selection. If you highlight a paragraph and begin tapping the right arrow key while holding down the Alt/Option key on the keyboard, you’ll be able to see the letter spacing opening up between all the letters. If it gets too loose, just switch to the left arrow key and watch as the letters tighten back up. As you play with the tracking, glance up at the Control Panel and you can see the tracking values change with each tap on the arrow key.
Adobe InDesign: Watch the tracking values update as you press Alt/Opt+Left/Right Arrow

Why use tracking? Sometimes, my clients look at the document and request that I open up the letter spacing for readability reasons. Personally, I tend to invoke tracking when I’m trying to squeeze just a few extra words onto a page that would otherwise require a whole page of their own. It’s not the correct way to copyfit (re-writing is what we are supposed to do), but it works. I always scrutinize the text and if I can tell that I squeezed it in, I’ll remove it and send the file back to the editor for a re-write.
Adobe InDesign: Copyfitting with Tracking. Before and after.

Kerning

By definition, kerning is the process of adjusting the space between specific letter pairs. If you place your cursor between two letters and begin tapping the left/right arrows while holding down the Alt/Option key on the keyboard, you’ll be able to see that you are adjusting the spacing between just those two letters. As you play with the kerning, glance up at the Control Panel and you can see the kerning values change with each tap on the arrow key. The cool thing is that you don’t have to remember the difference between tracking and kerning. InDesign knows the difference, based on whether you have selection or an insertion point between two characters.
Adobe InDesign: Watch the kerning values update as you press Alt/Opt+Left/Right Arrow

Why use kerning? When you are setting display type (think a book cover, or a poster, or any other large text that will be seen by lots of people), it’s worth it to take a few moments to even out the letter spacing. The goal is to imagine the letter spacing as vessels of water, and you want to have the same amount of water between each one. (There’s still too much “water” between the V and the E in the bottom image, but you get the idea.)
Adobe InDesign: The word on top naturally has two letters touching, the bottom version shows the adjusted letter spacing.

A Few Fun Facts to Remember

  • For a substantial increase in the amount of kerning/tracking, add the Command key (Control on Windows) to the Alt/Option+Left/Right arrow sequence.
  • To remove all kerning and tracking, make a selection and press Command+Option+Q (Control+Alt+Q on Windows).
  • If you are working with Drop Caps, and want to increase the distance between the drop cap and the words that wrap around it, click an insertion point in front of the first letter after the drop cap and press…you guessed it…Alt/Option+Right arrow. In the example below, the cursor is sitting right in front of the letter “e” in “ectuam”. Alt/Option+Right arrow pushes all five lines to the right of the “D”.
    Adobe InDesign: You can use Alt/Option+Left/Right arrow to push all the lines next to the drop cap further to the right.

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Adobe InDesign: Setting (and Removing) Defaults

In my opinion, your software works for you, and the running theme in my training classes is how to automate your workflow so that your layout comes together quickly and leaves nights and weekends for fun, and not trying to meet your deadline. InDesign offers you many ways to automate, but the first thing I suggest you do is set up your defaults. InDesign defaults come in two flavors: system defaults and publication defaults.

System Defaults

System defaults are used by all future documents. If you find yourself always changing the typeface for each new document, or always having to add your corporate colors to each new document, then it’s time to stop and change your system defaults. Here’s how:

  1. Open InDesign.
  2. Close all open documents.
  3. Double check that all documents are closed by looking at the bottom of the Window menu. If any files are listed at the bottom, you have minimized but not closed them. You must close all files before continuing.
  4. With all documents closed (have I made that clear?), you may be surprised that you can still access various menu commands and panel menu commands. Here’s why: anything you choose now will permanently change how InDesign works from this point out. For example, if you add or delete colors in the Swatches panel right now, you will change the displayed colors in the Swatches panel in all new documents. (System defaults never change existing documents, on your future documents.)
  5. Take some time to look at what’s available and pick your favorite settings. What a timesaver!

Document Defaults

Document defaults are used within a single file. For new users, the immediate need is how to remove inadvertent document defaults, for advanced users, it’s how to set them up on purpose. To set (or reset) document defaults:

  1. Open up an InDesign document.
  2. Select the Selection Tool in the Toolbox (the black arrow).
  3. Click on an empty part of the page or better still, chose Edit > Deselect All.
  4. Without any objects selected, take a look at the various menus and panel menus. Any choices you make in the menus without an object selected will change the defaults for this one file.
  5. Take some time to look at what’s available and pick your favorite settings. Remember though, that by definition, document defaults only affect this one document. All future new documents will rely on your system defaults.

Resetting Defaults

With the information above, you now have the skills to manually reset system and document defaults to the choices that work best for you. Sometimes, though, you just want to start over with the system defaults that InDesign ships with. For example, I usually have my students reset their defaults before class, so that I know exactly what their settings are and can keep the troubleshooting time to a minimum. Here’s how:

  1. Save and close all InDesign documents.
  2. Close InDesign.
  3. This is the hard part:
    1. Windows: set up the fingers on one hand to hover over Control and Shift and Alt.
    2. Mac: set up the fingers on one hand to hover over Command and Control and Shift and Option.
  4. Use the mouse to double click the InDesign icon and then IMMEDIATELY press down on keys listed above.
  5. You can let go of the mouse, but keep the keys down until you get this message:
    Adobe InDesign: Resetting System Preferences, or Defaults
  6. Click Yes and InDesign will reopen using the original system defaults. Don’t worry about deleting the Preferences file. InDesign will recreate it the next time you exit the program.

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Adobe InDesign: Using Rules & Underlines Together

By Barb Binder

This post marks the sixth and final entry in the series on InDesign underlines and paragraph rules. Now that you have a solid foundation, here are some fun ways to tie all this information together. For these next tutorials to work, you must add a rounded endcap stroke style to your Stroke Panel, and have basic knowledge of custom underlines and reverse heads. If you run into trouble, review the following three posts:

The goal is to see if we can format these three paragraphs using character and paragraph commands::
Adobe InDesign: Using Rules & Underlines Together

Reverse Heads with Rounded Endcaps

  1. Select a one-line heading
  2. Open up Paragraph Rules with Ctrl+Alt+J (Cmd+Opt+J)
  3. Enable Rule Above Paragraph to define a Reverse Heading: remember to choose your rounded endcap style from the Styles Panel in the Paragraph Rules dialog box, and to adjust the left/right padding on the rule by defining negative values on the Left & Right Indents in Paragraph Rules.
    Adobe InDesign: Reverse Head with Rounded Endcaps
  4. Does it look like this?

    Adobe InDesign: Reverse Head with Rounded Endcaps

Reverse Heads with Rounded Endcaps and a Border

The trick to this one is to recognize that ruling lines have a stacking order. If you define both a rule above and a rule below, and use the offsets to set one of top of the other, the ruling line below always shows on top.

  1. Select a one-line heading
  2. Open up Paragraph Rules with Ctrl+Alt+J (Cmd+Opt+J)
  3. Enable Rule Above Paragraph to define a Reverse Heading. I’m using a taller line, the rounded endcap style and extra indents on the left and right.
    Adobe InDesign: Rounded Endcaps and Border
  4. Enable Rule Below Paragraph to define a second thick line, again with the rounded endcaps. This time, use the offset to shift the rule up over the rule above. Make sure it is slightly thinner than the rule above and use the offset to center it vertically over the rule above (which is now behind, but don’t get me started).
    Adobe InDesign: Rounded Endcaps and Border
  5. Does it look like this?
    Adobe InDesign: Rounded rule with border

Reverse Heads with Rounded Endcaps, a Border and a Rule

The trick here is again the stacking order, but we only have two rule options and we want a total of three lines. Got any ideas? Did you say a custom underline? We have a winner! Underlines always print over the ruling lines, so working from the bottom up, we need a thin rule above, a thick rule below and a customized underline on top.

  1. Select a one-line heading
  2. Open up Paragraph Rules with Ctrl+Alt+J (Cmd+Opt+J)
  3. Enable Rule Above Paragraph and define a thin, black, column-wide rule:
    Adobe InDesign: Rounded Endcaps, Border & Stroke
  4. Enable Rule Below Paragraph and define a thick line. Use the offset to shift it up, and allow some extra left and right negative indents:
    Adobe InDesign: Rounded Endcaps, Border & Stroke
  5. Finally, add a few spaces on either side of the text and select the text plus the spaces.
  6. Click on the Underline button on the Control Panel, and then, Alt/Opt click the button a second time. Define a thick underline, and use the offset to position it:
    Adobe InDesign: Rounded Endcaps, Border & Stroke
  7. Does it look like this?
    Adobe InDesign: Reverse Head with Stroke & Rule

I hope you’ve enjoyed this six-part tutorial on working with rules and strokes in InDesign. Comments or questions? Be sure to let me know.

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Adobe InDesign: Reverse Heads

By Barb Binder

Adobe InDesign allows us to attach rules either above a paragraph, below a paragraph, or both. This is a very useful feature for setting off headings, and significantly better than grabbing the Line tool and drawing the lines yourself. If you’ve ever done that, you know that you have to be constantly adjusting the line positions manually when you edit the text around them. Here are some examples of Paragraph Rules above, below and both:
Adobe InDesign: Ruling Lines above, below and both

To access the Paragraph Rules dialog box, you will need to click the Control Panel menu, or just type Ctrl+Alt+J (Cmd+Opt+J). For standard rules above and below, the dialog box is pretty easy to figure out. Play for a bit before moving on.

Now, on to Reverse Heads. The easiest way to make a reverse head is to simply define a Ruling Line above the Paragraph and then shift it into position.

  1. Select a one-line heading.
    Adobe InDesign: Reverse Head
  2. Choose Paragraph Rules from the Control Panel Menu.
    Adobe InDesign: The Control Panel Menu
  3. Turn on the Preview checkbox so that you can see what you are doing to your paragraph.
  4. In my example, I’m using Myriad Pro 22/26, so I set the specs as follows:
    Adobe InDesign: Paragraph Rules dialog box
    I started by turning the Rule Above On, and then set the weight to a size larger than my typesize. I also changed the color from the default “Same as text color” (or I’d never see the text)! I choose Black, because I will changing the type to Paper in the next step. To center the line vertically over the text, adjust the Offset value.
  5. I like my rule, but I can’t read the text anymore! Before you deselect, make sure you change the fill swatch to [Paper] (and I centered the alignment):
    Adobe InDesign: Set the fill to Paper, and center the alignment
  6. Definitely take a moment to save this as a Paragraph Style, so that you can use it again and again  with one-click access.
    Adobe InDesign: Save the reverse head as a paragraph style

If you’ve been a faithful reader of the Adobe InDesign Stroke series, you may have guessed that a custom underline would also do the trick. It would but, underlines are character level formats and you’d have to highlight each head and assign the Character style, and you don’t have the same width controls as you do for Paragraph Rules.  For example, a few quick clicks can easily change the width of the Rules, underlines only underline the actual characters. For example:
Adobe InDesign: Three variations on a reverse head

The first image shows a Column-wide rule, the second shows a Text-wide rule and the third shows a Text-wide rule with -1p0 left and right indents (specified in the Paragraph Rules dialog box.) Got questions? Just let me know.

If you followed the whole series on strokes, underlines and now paragraph rules, it’s time to pull them altogether! Check out combining paragraph rules and underlines.

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Adobe InDesign: Highlighting Text

By Barb Binder

One day, a prospective student called me to discuss the merits of an InDesign/InCopy workflow vs a FrameMaker/Acrobat Mark-up workflow. As a long-time trainer on all four products, he came to the right place…to be convinced to use FrameMaker and Acrobat, or so I thought as the demo began. Two hours later, it all boiled down to being able to highlight text, which neither FrameMaker nor InDesign supports. Acrobat does, but he wanted the highlighting in the source file.

There’s no text highlighting button in InDesign but you can make it happen using underlines. Who knew?
Adobe InDesign: Underline button

  1. If highlighting is the goal, start out by underlining some sample text.
    Adobe InDesign: Underline button
  2. Go back and reselect the underlined text and hold the Alt/Opt key as you click on the Underline button again. In my example, I’m using Adobe Garamond Pro 11/15 so I set the underline specs as follows:
    Adobe InDesign: Underline options
  3. Pick OK and there you go.
    Adobe InDesign: Highlighting text
  4. If you like, you could round the ends use the Rounded End Cap created in the post: Adobe InDesign: Creating New Stroke Styles.
    Adobe InDesign: Pick Rounded End Cap from the Type list
  5. And definitely save the highlighted text as a Character Style, so that you have one click access to it in the future.
    Adobe InDesign: Save the highlighting as a Character Style
  6. Makes for very quick and easy highlighting.
    Adobe InDesign: Rounding the highlight edges

Have you mastered underlines? Then it’s time to try using Paragraph Rules to define reverse heads.

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